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2022 |
Float - for resonating cymbals and 5th order ambisonic dome |
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2021 |
Frakture: for Symphony Orchestra and the audience’s smart phones |
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2018 |
Future Perfect, concert work for Ambisonic (HOA), Smartphone spatial WebAudio and webVR |
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Cité International des Arts, Paris |
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IRCAM, Centre Pompidou, Paris |
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EMPAC, Troy, New York (USA) |
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Karlsruhe University of Arts and Design (HfG) (Germany) |
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Conservatoire de Strasbourg (France) |
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Klingt Gut, Hamburg |
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Zürich University of the Arts, Switzerland |
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2018 |
Metal Music, Musical Instrument Museum, Arizona, for B1 Ensemble, live electronics and percussion |
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2018 |
Suspession for resonating orchestral cymbals. Académie Supérieure de Musique de Strasbourg |
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2017 |
Surface Texture, Prisms Contemporary Music Festival with Thomas Landschoot (Cello) for solo cello, ensemble & electronics |
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2016 |
No Stone Unturned, Prisms Contemporary Music Festival, San Diego New Music Players |
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2016 |
Becoming Desert, Music and Landscape conference, Institute for Electronic Music, Graz |
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2016 |
Oscillations, Singing Bowl robots exhibited at the CHI2016 Works Gallery, San Jose, California (June 2016) http://art-chi.org |
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2015 |
Rainforest Remix – a performance project in partnership with Rainforest Partners and the UN +SocialGood climate campaign to create an immersive musical performance experience of rainforest environments for SxSW Eco (Oct/15). Rainforest Remix will be featured at Texas Earth Day 2016 – this project seeks a broad community engagement with environmental awareness by leveraging the popularity and cultural capital of celebrity DJ’s. |
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2015 |
Forrest, for flute and live electronics composed for the President’s Showcase (Fall 2014) and also performed at President’s Weekend (Nov’15), the at the Launch of the Biomimicy center (2015). |
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2015 |
Oscillations Singing Bowl robots exhibited at the Shaw Centre, Baton Rouge, Louisiana (June 2015) |
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2015-18 |
49 Waltzes by John Cage – Interactive media installation around sonic place-making developed with students at Technische Hochschule Ansbach, Germany |
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2014 |
Sonic Alchemy - A recital of Music by Garth Paine at the Skopje Summer Festival, Macedonia including: Ant Walk (solo piano) World Premier, Electrofusion (piano, double bass, percussion and live electronics), Glitch (percussion and live electronics), Encounter (double bass and live electronics), Fue Sho (flute and live electronics) and Drum Machine Piece (Tempest drum machine). The concert featured new interfaces for electronic music performance including the Karlax. Dr. Paine is one of only five artists internationally using the cutting-edge Karlax interface. |
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2014 |
Oscillations Singing Bowl robots exhibited in |
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Liminal Fields group show, Ice House, Phoenix, AZ, March 2014 |
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Art Detour and Phoenix First Fridays, March 2014 |
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South West MakerFest, Mesa Arts Centre, Spark Festival, March 2014 (1st place, Most Creative Project)
Minimalisms; Contemporary Music Festival, School of Music, ASU. |
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2014 |
Conversations: Sounding the Environment: 3WDS14, Waterwheel World Water Day Symposium, New York |
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2014 |
Conversation Prelude - Seoul, Korea. Korean Society of Women Composers Global To.Get.Her |
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2014 |
CrossTalk - Interactive dance work With Simon Biggs and Sue Hawksley, presented at:
MOCO, IRCAM, Paris (one of the premier institutions for electronics music research in the world) |
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Edinburgh Festival (Glitch’d) (2014) (one of the premier international arts festivals) |
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ASU Art Museum (Emerge) (2014) |
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TaPRA 2013, (Theatre and Performance Research Association), Royal Conservatoire of Scotland |
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2013 |
Conversations: Sounding the Environment: ABC Radio National, Sydney, Australia (June, National Broadcast) |
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2013 |
All Things Return to Nature Tomorrow - BalletLab - Dance Massive Festival, Melbourne Australia (March 2013) |
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2013 |
Oscillations sound installation for singing bowl robots and resonating cymbals |
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Balance-Unbalance conference, Noosa Australia; |
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ISEA2013 Sydney, Australia and |
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ASU Tempe and West campuses |
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2012 |
Prelude: Conversation - Ear to the Earth Festival, - John Cage Centennial Festival - NYC, (December) |
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2012 |
Endangered Sounds - Activity of Sound exhibition, Night Gallery, Tempe, Arizona (October) |
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2012 |
scan2go. American College Art Association Conference in Los Angeles (February) |
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2012 |
Prelude: Conversation - Ear to the Earth Festival, NYC (December) |
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2010 |
Body Text - With Simon Biggs and Sue Hawksley, |
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InSpace, Edinburgh at the Figures of the Visceral and Woodend Barn, Banchory, UK for Dance
Live! 10 |
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SEAM2010 http://seam2010.blogspot.com |
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Gaming the Game UC Davis in 2012.
http://www.articulateanimal.org.uk/bodytext2.htm |
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2010 |
Present in the Landscape, SiteWorks, Bundanon Trust, Australia http://www.bundanon.com.au/content/siteworks-update |
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2009 |
Grace Space for clarinet and electronics, Jason Noble, Ensemble Offspring, Aurora Festival 2009 and NIME2010, Sydney, Australia |
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2009 |
Recital of Original Compositions, Ear to the Earth Festival, New York http://www.eartotheearth.org/ |
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2009 |
Recital of Original Compositions, The Soundings Festival, Limerick, Ireland http://soundings.ie/ |
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2009 |
Thinking Through the Body, Carriage Works, Sydney, http://thinkingthroughthebody.net/ |
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2009 |
The Darker Edge of Night, with Hellen Sky, Melbourne http://vimeo.com/7107482 |
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2008 |
SynC Ensemble Concert, The Australian New Music Network http://www.newmusicnetwork.com.au/ |
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2008 |
Encounter and Bowl Chant at Liquid Architecture Festival http://www.liquidarchitecture.org.au/ |
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2007 |
Recital of Original Compositions, New York Electronic Arts Festival (2007) http://www.nyeaf.org/ |
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2007 |
Recital of Original Compositions, Camden Haven Music Festival (2007) http://www.camdenhavenmusicfestival.org.au/ |
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2006 |
Bowl Chant and Encounter and Al anbiq dialogue, Eclipse and Aletryomancy at Aurora Festival of New Music and ABC Classic FM live broadcast, 2006 http://www.aurorafestival.com.au/2006/ |
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2006 |
Bowl Chant at Agora/Résonances Music Festival IRCAM, Paris, France, 2006 |
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2005 |
Intimate Excursions – performance with Ass/Professor Curtis Bahn, NIME 05 conference, Vancouver |
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2005 |
Meterosonics Online interactive weather driven music system. Funded by Australia Council for the Arts, Sounding Out Grant. Partners include, McGill University, De Montfort University, featured in the
Bulletin, July 2006, http://bulletin.ninemsn.com.au/article.aspx?id=141421 |
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NIME04 conference, Shizuoka Uni, Hamamatsu, 2004 (Japan) |
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ICAD conference, Studio Theatre, Sydney Opera House, 2004 |
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2005 |
Incarnate, Black Box, Brisbane, February http://www.smallblackbox.com.au/artists.php?artist_id=95 |
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2004 |
Endangered Sounds, BEAP04, Biennale of Electronic Arts, Perth, Australia 2004 http://www.beap.org/beap2004/ |
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2004 |
MAP1, Songlines Festival, Blue Mountains, Sydney, Australia 2004 |
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2003 |
Gestation – Interactive Audio/Visual environment, 10th New York Digital Salon, (2003) |
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2003 |
Plant B – exhibition of interactive sound installation work, McGill University, Montreal, Canada (2003) |
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2002 |
Gestation, Florida State Museum of Fine Art – exhibition of interactive Audio/Visual responsive environment DesignX: Critical Reflections |
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Gestation, RMIT Gallery, (2001) |
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2001 |
Plant B, Double Venturi, Melbourne, (2001)– exhibition of interactive sound installation work, |
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2001 |
Plant A, ACMA Conference Sydney, (2001)– exhibition of interactive sound installation work, |
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2001 |
MAP2, University of Tasmania Gallery, (2001)– exhibition of interactive Audio/Visual environment |
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2000 |
Reeds, Melbourne International Festival of the Arts, (2000) – an interactive sound installation |
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1999 |
MAP 1 – an interactive immersive sound environment |
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Exhibition at Staatliches Institut für Musikforschung, Berlin, Germany, Composer in residence, |
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Exhibition at Australasian Computer Music Conference, Wellington, New Zealand (July), (1998) |
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Presentation at Ars Electronica, Linz Austria (September) (1999) |
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1999/2000 |
MAP 2 - an interactive immersive sound environment, Exhibition at the Musical Instrument Museum, Berlin, Germany as part of the CultureFest as part of the New Year, Millennium celebrations (Dec-Jan) (1999/2000) |
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1998 |
MAP1, Next Wave Festival, Span Galleries, Melbourne, Australia - an interactive sound environment |
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1997 |
Ghost in the Machine, Emerging Digital Artists, Linden Gallery, (1997) - Interactive Environment Installation, Where is Linden Gallery, country? |
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1996 |
MQM (Moments of a Quiet Mind), Linden Gallery, and Experimental Digital Arts Festival, (1996) - Interactive Environment Installation see above |